VISIBLE SPEECH
Reading-performance, live coding with Olivia Jack's Hydra platform, December 2025.
Reading-performance, live coding with Olivia Jack's Hydra platform, December 2025.
Biannual magazine on the theme of Medievalcore, 22.5 x 29 cm, approximately 80 pages, in collaboration with Noémie Chang, ongoing project.
Collaborative project with Rili Kajiyama and Mey-Lynn Dichant, video, v-jing, performance, screen printing, and music creation, February–April 2025.
Video and series of photos (medium format film and digital), poetic edition. In collaboration with Rili Kajiyama and Steven Ly, April 2025.
Variable font that reacts to sound, created on Glyphs then programmed, as part of a workshop with Lena Weber, October 2025.
Long fiber paper made from kozu and lokta fibers, A3 and A4 sizes, December 2024.
Book and series of photos (medium format film and digital) for a poetry publication. In collaboration with Rili Kajiyama and Steven Ly, April 2025.
Hello ! Currently a fourth-year master student in Graphic Design at the ENSAD Nancy,
I am looking for an internship starting in April 2026.
In my practice, I explore the sensitive relationships between humans,
living beings, and environments. My approach took shape during my Bachelor’s degree
in graphic design, where I questioned the environmental impact of the forms and tools
we were taught to use. Today, this practice is enriched by sociological reflection that
questions our ways of living, acting, and communicating. In my projects, I like to mix
different media such as photography, video, music, and writing to create immersive and
contemplative worlds.
For more details, here is my resume
and a selection of my work :)
Installation and 150-page edition, screen-printed steel plates, mixed paper, coptic binding. In collaboration with Rili Kajiyama and Steven Ly, April 2025.
Collective edition produced as part of a workshop with Lia Pradal, bound with bolts on screen-printed wooden plates, September 2025.
Visual identity, posters, website, temporary Instagram page, June 2025.
Thesis and booklet of experiments with patterns using Ivan Murit’s Texturing software, 20 x 26 cm, recycled paper, elephant skin paper, and PEFC-certified kraft paper. January 2025.
16-page edition, recycled paper, elephant skin paper, ring binding, April 2025.
Screenprint in A6 format, aluminum foil, textured black paper, silver paper, December 2024.
Opening and closing credits for a short film, handwritten text, with illustrations by Jade Berry, November 2025.